Node reference
Color Correction
Ten nodes that grade a picture: nine free ones that run on your device as a chain of recipes, and Color Match, which uses a model to match one picture's mood to another's.
Last reviewed October 25, 2026
Recipes, not pixels
The color nodes share one idea. What travels between them is a recipe, never a picture: each node stores its settings, a chain of them composes into one transfer, and the preview applies it to a proxy while the bake applies the same maths to the master. No intermediate files, no loss from one node to the next, and no cost until a paid node downstream reads the result.
| Tool | Takes | Gives | Price |
|---|---|---|---|
| Levels | Media | Output Image | Free |
| Brightness & Contrast | Media | Output Image | Free |
| Color Correct | Media | Output Image | Free |
| Color Balance | Media | Output Image | Free |
| Curves | Media | Output Image | Free |
| Invert | Media | Output Image | Free |
| Noise & Grain | Media | Output Image | Free |
| LUT | Media | Output Image | Free |
| Filters | Media | Output Image | Free |
| Color Match | Original, Reference | Output Image | Credits, by model |
How every color node works
Each node shows the graded picture once it is fed, or a tile to wire or upload one when it is not. Below the picture sit the sliders for that node, a Reset in the header, and a scrub to compare before and after. Chain as many as you like: the picture is only ever graded once, with everything applied together, when something downstream runs or you download it.
No Run button, no credits
The nine free nodes
- Levels
- Tonal control over the histogram: black point, midtone gamma and white point per channel, plus the output range.
- Brightness & Contrast
- The quick tonal fix: brighten or darken, flatten or punch.
- Color Correct
- White balance and color character together: temperature, tint, hue, saturation and vibrance.
- Color Balance
- Shadows, midtones and highlights shifted along the cyan-red, magenta-green and yellow-blue axes, with range chips to pick the band.
- Curves
- The precision instrument: draw the tone curve per channel with draggable points over the picture's own histogram.
- Invert
- A colored or black-and-white negative with its own brightness and contrast, made for punchy motion content.
- Noise & Grain
- Film-style grain or color noise with amount and size, seamless at any output resolution.
- LUT
- A cinematic look from the house library or your own .cube file, with an intensity mix.
- Filters
- One-tap looks such as Y2K, VHS, Dreamcore and City Pop, previewed live, with an intensity mix.
Color Match is the paid one
Color Match grades one picture to another's colors and lighting through an image model, so a whole set reads as one campaign. The original goes on the main input, and its ratio and quality govern the output; the reference goes on its own port. Two toggles decide what to match, and the prompt is written on the server from them. It runs like a generator, with a Run button, a credit quote and trigger ports.
Video Color Match does the same for clips