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Features / Color Correction

Full Color Control,
Built into the Process.

A complete color suite that gives you professional control over the look, tone, and consistency of both images and video.

01 · Tone

Get the Light Right.

Adjust brightness, contrast, black and white points, and specific tonal ranges with the right level of control for each image.

Levels

Anchor the blacks and whites, then shape the middle.

Set black, midtone, and white points directly on the histogram, with control across the full image or individual channels. The histogram is the image's own, so you see exactly what you are moving.

You set

Black pointMidtone gammaWhite pointOutput rangeMaster · R · G · B

Brightness & Contrast

The quick fix that saves a flat shot.

Make fast tonal adjustments to brighten, darken, soften, or add punch. Hold to compare with the original at any point.

You set

BrightnessContrastHold to compare

Curves

Move one part of the range and leave the rest alone.

Fine-tune specific tonal ranges with draggable curve points and per-channel control over a live histogram.

You set

Draggable pointsMaster · R · G · BLive histogram
02 · Color

Set the Color Character.

Shape temperature, saturation, and overall color balance, with separate control over shadows, midtones, and highlights.

Color Correct

Temperature, tint, hue, saturation, and vibrance in one place. White balance and color character together.

Color Balance

Push shadows, midtones, and highlights along the cyan-red, magenta-green, and yellow-blue axes. The cinematic grade control.

03 · Looks

Give it a Look.

Shape the final style with LUTs, filters, grain, and creative effects that give the image or video a distinct visual character.

Invert

A colored or black and white negative with built-in brightness and contrast. Made for punchy motion content.

Filters

Fourteen one-tap looks like Y2K, VHS Warm, Dreamcore, and City Pop, previewed live on your own image.

LUT

Twelve house looks, from Teal & Orange to Noir, or your own .cube file. An intensity slider mixes the look in.

Noise & Grain

Film-style grain or color noise with amount and size control, seamless at any output resolution.

04 · Color Match

One Look Across
the Whole Set.

Match the color, lighting, or overall mood of one image to another, so every visual in the campaign feels consistent and part of the same creative direction.

Get Started

Finish Every Frame
With the Right Color.